Key information

• Poet: Imtiaz Dharker (1954–) 
• Year: 2006 
• Form: Free verse 
• Key techniques: Extended metaphor, symbolism, enjambment

About the poet

Imtiaz Dharker is a British-Pakistani poet and artist born in Lahore, raised in Glasgow, and settled in London. Her multicultural background deeply influences her poetry and her common focal points of belonging, borders, and the intersections of cultures. She has published several collections, many of which are accompanied by her own illustrations. Her poetic and documentary works frequently challenge societal norms, especially regarding gender, religion, and power structures.

Historical context

This is a contemporary poem from the 2000s, responding to the era’s materialism and reliance on existing power structures. The references to religious texts and records of births and deaths acknowledges the long historical practice of documenting human existence on paper, highlighting its significance in preserving cultural identity.

Literary context

‘Tissue’ is part of Dharker’s collection The Terrorist at My Table which explores themes of identity, power, and the transience of human life. The poem aligns with postmodern poetry by challenging rigid structures and emphasising impermanence and spirituality. Dharker’s work also often engages with contemporary concerns about globalisation and human connections, which are evident in this poem’s motifs of maps, money, and architecture.

Key ideas

• Feelings of powerlessness
• Fragility vs. permanence
• The power of human connection
• Critiquing existing power structures
• Passage of time